Saturday, April 21, 2018

Water Gathering

Sign on grey van in background:
Give in to sin!
The phrase “the best day ever” might come to be replaced by “another spectacular day for me”.

Rebecca made breakfast.

We have not drawn straws as to whom should do that.

Indeed, there has been no dividing up of the jobs to be done among us.

panorama view along Invermere Highway
We knew we had to be in charge of our own breakfast this morning which lead us to a Save-On Foods last night and a charming half hour looking at wonderful produce to put into an empty fridge.

Bonnie had blackberries and strawberries in her hands before we had even grabbed a grocery chart.

Rebecca had an idea to buy cremoni mushrooms to be fried up into an harvarti cheese omelette in the morning.

That required a bit of butter and then some garlic aioli to spread on a loaf of whole wheat bread which we had brought along to cut costs.
... rock protrusion in hill on highway ...
All we could think of that we hadn’t purchased was salt and pepper but one never finds that out until trhing to make a late night toasted tomato sandwich. Most of the time we spend laughing, or looking at the spectacular views of glaciated mountains, both to the east and the west of us. I guess that is why they call this the Columbia River Valley for there are snow capped mountains in every direct.

The Secwepemc Nation is represented by 17 tribes and has a membership of 10,000 people.

I am trying to look for a metaphor that will quickly encapsulate what I have learned today.

We are gathered to talk about water.

The presentations have been about water today, mostly focusing on the Columbia River Treaty which is a transnational water treaty (1964), originating because Americans had built on a flood plane in Portland, Oregon and needed to control how the water from Canada arrived there. In return Canada is paid for some of the hydro that is generated by dams owned by Americans.

Kicking Horse River in Golden
The hurtful part to the treaty is that the Americans asked if there would be an impact to the Hoover Dam when it was built, for the salmon would no longer be able to access the waters of the Columbia. The Canadians said no problem to that. When it was discovered that the salmon could no longer get back to Canadian waters on their return home, and that the indigenous people would no longer be able to fish as they have done for 10,000 years, our government solved the problem by sending the indigenous people canned Spam. And here is the metaphor for the day. Is there a way to unwind the gifting of Spam since fishing for an abundance of salmon is no longer possible? Maybe that is not a metaphor.

I didn’t get in my 10,000 steps today. Instead I listened intently to speakers, wrote notes as I listened, and was attentive to the questions and answers at the Speakers Forum. I was weary and Rebecca told me to go up to the hotel room to have a nap. But how could I do that when the next speaker seemed to invite even more of my attention that the ones before them had. There was a break-out room for Elders, where they could have massages, drink hot herbal teas (I tried one made out of horsetails), rest on couches and refresh themselves for more lectures. I prefer to doze in and out, sitting on the same chair, surrounded by my notebook and coloured pencils, none of which I have the time to use. “Must not miss one word.” That is my motto.

The programme said that the salmon feast would begin at 6 pm.

However rain flooded out the gathering tent this morning, so the feast was broken into 2 separate venues, much to the chagrin of the organizers who like to have people meet together.

walkway along Kicking Horse River in Golden
I came back to take my nap for the hour before the feast. When Bonnie and I arrived at the appointed time it was over.

“Didn’t you hear that the time was also changed, up to 5 pm to 6 pm?”

No, I didn’t hear that and when I arrived at 6:15 pm the feast was so finished that the caterers had cleared away all of the dishes and were getting reading for the next event in that space.

Must have been some feast!

Arta




The Shuswap Tribal Nation Summer Gathering at Invermere

Revy Motel sign says
"Your mother called and said
to stay with us."
Bonnie and Rebecca attended the Winter Gathering of the Shuswap Tribal Nation in 2017. 

Now another gathering is happening and both of the women have been invited. Rebecca asked if I could come along,

 And that is how the road trip started, a four day conference in Invermere.

Dangerous.

Or maybe not.

The three of us driving down the highway, one with a latte, one with a green tea and me, so happy to be going to Invermere, a place I never thought I would see.

... selfie in front of Salmon Arm Art Gallery ....
... the beginning of our trip ...
Rebecca doesn’t drive the highway going East from Salmon Arm very much so we kept hearing her gasp about the beautiful views.

I think she has been on the west coast so long that she has forgotten the drive through the Rockies.

Bonnie showed us a lovely coffee shop called La Baguette in Revelstoke, beautiful brioches and a wonderful fig and date croissant.

The shop was filled on the restaurant side and on the take-out side. I think the shop will thrive for the new ski hill there brings in international tourist travel through the winter season.

We didn’t know what to choose at the counter. Finally Rebecca said, we are going to do this Wyona-style. Buy one of everything and then share it.

She had the clerk cut all of the pastries into four pieces. We ordered a couple of side salads as well. I could tell by the look on the clerks face, that this is the first time she has been asked to do that, but she was happy to facilitate.

food from
La Bagette, Revelstoke, BC
I saw a couple of new mud slides which caught my eye. We turned south at Golden. The new highway was #95, driving by the Purcells on one side of us and the Rockies on the other side. We were headed into the East Kootenays to the Copper Point Resort at Invermere. We pulled off of the highway a number of times. I think it was the beautiful valleys on the Purcell side of the road that captured our eyes.

Deer either crossed the road in front of us making Rebecca slow down, or we saw them on the hills or gathering in the valleys. There was even deer road kill along the way, but not ours.

Rebecca had booked a room for 4, the three of us and her friend Jess, from ILRU. The suite we are in has everything. A washer, a dryer, two gas fireplaces, a loft (that holds a single bed and a trundle), a king sized bed, a leather pull-out couch, 2 bathrooms, a fully equipped kitchen and a fridge that holds all of the food that we picked up at Save-On Foods. A good thing Bonnie put back the Teflon frying pan that she was picking up in the store for the omelette in the morning. The kitchen has fully furnished kitchen cupboards, pots and pans, a toaster – nothing is missing.

picturesque inveremere, B.C.
There are fabulous plans for tomorrow, two streams of classes – on the one side, learning about water politics, and on the other side, deer tanning, tea making and sweat lodge making.

At the Indian Taco supper, Kenson Thomas was dressed in leather and fur regalia and told “The Story of Sucker Fish”. I have read the story, but never heard it told with all of its dramatic interpretation. I found myself laughing in many of its parts – who knew that coyote was hoping to have a few hickeys before the night was finished?

balcony selfie, 4th floor, Copper Point Inn
Invermere, BC
Bonnie Wyora figured out that we only had 20 minutes to get to the hot tub after we had made our way to our hotel room from the gathering. Rebecca and Bonnie swam laps in the outside pool. I just let the water jets of the hot tub do their job on my back.

The most unusual part of the day, though not my highlight? There is actually a TV in the mirror in the bathroom. I can brush my teeth and watch TV at the same time. Not that I care to learned to operate that feature, But Rebecca did give me a demo.

Arta

Thursday, April 19, 2018

Compression

Rebecca writes "On Compression or There is a Crack in Everything"

Process is an important site for learning things.

Clay is sometimes forgiving, sometimes less so. I have always found waiting to the clay to dry is the most difficult part.

Recipe:
  • Take a piece of clay.
  • Divide it into balls.
  • Add oxide to the individual balls to transform their colour.
  • The process of adding oxides is messy.
  • If I don’t clean up after each colour, its trace follows me to the next project.
  • Once the balls of colour have been made, wait.
  • If I mix them together when they are still soft, the colours will blend and you will end up with a new ball of a different colour.
  • Cut the balls into smaller segments.
  • Layer them into each other
  • Knead them together.
  • Take time to ensure no bubbles of air have been captured while you are layering the clays together.
  • To remove any balls of clay fling the clay against the table to re-wedge it.
  • Again, wait before doing any further kneading to give the clay time to firm up.
  • It is hard to know if I have kneaded the clay enough without cutting it open.

fired and out of the kiln
my part of the I Testify project
And it is hard to know when enough is enough.

I hope for the colours to be tightly or loosely swirled against each other.

When the clay has dried enough I take a metal rib and begin making slices through the clay.

If I am too soon, the blade of the clay will blur the edge of the colours.

If I am too late, it will be hard to cut and I risk cracking the slice, or cutting my own fingers against the edge of the rib.

I smooth any edges of my product, taking care not to muddy the line of the clay.

If I don’t smooth the edge, then the piece fires and the edge will be transformed into something with the sharpness of a knife.

... lining up the cracks ...
Every touch of my fingers on the piece leaves a trace of my hand and any dust lingering there. In short, minimize contact with the piece. It needs to dry somewhat before I proceed to the next stage. I watch it during this phase as the edges will continue to curl. It is best to lay something flat on top to hold the pieces flat while they are drying. It is best if it dries slowly, but again, if I am in a hurry there are tricks to speed the process along.

The phase of cutting is both magic and repetitive. Each slice reveals something unexpected.

Each piece requires careful handling to pull it away from the main piece without muddying the colours.

Watch out for repetitive strain injury.

I watch out but I can’t stop myself. I continue well beyond the point when a rational person would stop for a rest, part of the intrigue of wondering what the next slice will reveal. Once the clay is firm enough to be handled, I take a cutting hole tool and make a chord for a hole or a chain. If the clay is too soft, I will muddy the piece. If it is too dry I risk the clay cracking. I wait for the clay to dry.

This is one of the next big places of loss.

... such a beauty before cracking ...
Will the piece dry without cracking? This time around, I saw the one of the batches of clay, my favourite, was drying in a way that left a huge crack appearing in more than ½ the centre of the pieces. I have been thinking about why.


I remember the discussions about the bottom of clay bowls.

When I am throwing a bowl, one of the first stages is to make sure I have adequately compressed the bottom.

That is, I need to run my fingers back and forth across the bottom, applying pressure to force the clay molecules more tightly against each other.

That is, I must apply pressure.

If I don’t apply pressure this is the mostly likely place for a crack to emerge.
Sometimes I see the crack as the pot dries.

... necklaces sitting on the tool I use for compression ...
Sometimes the crack only emerges when I fire the piece for the first time.

I can’t tell you the number of pots I have grieved for, pots that have been heavily invested with love, only to emerge from the kiln, looking as beautiful as they did when I put them in, but having a crack across the bottom, rendering them unusable

.
Sometimes the crack doesn’t emerge until the second firing, after the glaze has been applied.

Many the mug I have, that is now a pencil holder, since any beverage that is added to it will leak out through the fine crack in the bottom.

In short, my weakness?
... tools of the trade ...

Failure to apply adequate pressure.

Fear that the pressure I will apply is too much.

And so I am left with a batch of necklaces, the ones I thought most beautiful in the making, so beautiful that I feared to apply any pressure to the centre, worrying only about the edges.

At first I thought I would throw them out.

But I think I will fire them through to the end of the process.

They don’t need to hold a liquid.
... measuring for shrinkage ...
But I think they will be holding the trace of a thought.

A question about the challenge of finding the right amount of pressure to apply.
 Or maybe just a reminder for me to think about the places where I fear having pressure applied to me. 

Maybe there is a way for me to think about my own capacity to understand the pressure at the centre, and particularly the pressure early in a process as being useful for what will later be possible. 

So maybe the insight is not for me to apply more pressure to others, but to think about myself as the clay.

Rebecca

Tuesday, April 17, 2018

Taking a Walk in the Woods

Text by Rebecca
Photos by Rebecca
... tree shadows ...

On Sunday Arta and I decided to take a walk on the property to get our Fitbit steps in.

What started as a walk ended up as a stroll to the far end of the property and eventually, a walk up the path that has been maintained by Glen and Greg to join up at the end of the Sicamous Trail.

At each moment along the walk, I thought we were just going a few steps further until we finally decided to commit to going right to the highway or turning around and going back home.

It was the first sunny day in a week.

The ground was incredibly wet.

The moss was soft under our feet and the forest around us had rich green colours.

... a standing mother log ...
We stopped along the way to note the place where a large tree had fallen and torn apart the trail.

We lay in bed this morning for the first hour talking about yesterday’s walk and thinking how fun it would have been to take the little kids on the walk.

Our conversation turned to the pedagogy.

How does one create a walk for kids that is entertaining for them and that also attaches them to the land.

What stories could be told along the way, stories that would teach them about plants, animals, the land, history, their relations, seasons and more.

I was thinking about reading Andree Boissele’s dissertation.

In the first chapter she talks about the Stolo field school and going out on the land with elders.

On reading that chapter I was struck by the realization that one of the reasons to tell stories out on the land is to enable the elders, themselves, to better access the knowledge they have.

"I am wondering if I can make it across this water
without some help with my balance."
Landmarks are attached to stories, experiences, seasons, and stuff in ways that enable one to recall and bring to mind other pieces of information. As we went on our walk,

Arta would stop to point out where Wyora had wanted to build a house, where Glen had built his tree house, the different names that we have given to the streams we crossed, the place where Glen the tree had fallen in the woods and Glen had been able to tip the trunk back into its hole and restore our path.

 At one point as we were climbing up the hill, grasping for branches to help pull us up, I grabbed onto a cedar branch and scrambled up the hill. The branch was springy and the needles were soft against my hand. I found myself remembering that on the west coast the cedar are referred to as the generous ones.
The walk also gave us a chance to talk about LaRue and the different ways people did or didn’t feel connected to the land.

To know something is not always to love it. To know something in greater detail changes your relationship to it.

... a drop of water held by a leafy cup ...
So how might we create ways for the young people on the land to build an intimate relationship to it.

And could we do this in a way that acknowledged the stories that were on the land before we arrived here. That pulled to my mind the story of The Cedar People that had been told to me by Earl Plaxton Junior on a walk up Mount Pkols in Victoria last summer. I knew that if I had the children with me, this would be a place where I could tell that story. Indeed, since much of the trail had been well maintained and we had both talked about how generous Uncle Greg was, in doing the work to make this trail accessible for anyone who wanted to use it, we started referring to Uncle Greg as the generous one.

 All last summer we spent time reading Indigenous stories to the young children, seeking to make those stories part of their own lives. But it did occur to us that there is something quite powerful in telling those stories out on the land because it is one thing to tell a story about cedar and it is another thing to hear the story while standing beside a cedar where you can see it, touch it, smell it, listen to the birds in the trees around it, to the sounds of the forest around it. And also see cedar branches nourishing the forest floor, feel the bark, the branches, the light dappling the forest floor through the branches. We could also see branches on the forest floor that had broken off because of the heavy snowfall in the winter. So looking around us it was possible to make time visible in the moment. To think about what had fallen and why and to see new life growing out of branches that had fallen in years past, the fallen branches continuing their form of generous giving to the environment around them.
... the minutia of the forest floor ...
So our discussion turned to making a book or a resource or a photo journal gathering together some pathways through this walk in the woods.

If I am taking the kids out in the woods, it is helpful to be prepared. Stories about the cedar could be told just about anywhere in British Columbia, for you will see one on any part of your path.

So the goal here, for the LaRue folks is a blog post of this walk with some tales and stories gathered around it. Share some stories than can be attached to the land if you want to walk this path with your children or your grandchildren, this summer or this winter.

At one point in my own life, I spent a long time worrying about whose stories belonged to whom.

I still think those are important questions.

... just checking to see if the deck has come back ...
But I also think there is some urgency to the question of how we attach ourselves to the land and stories, wherever those place might be.

And there are some good reasons for thinking about how to do that in a way that attaches to the world that we live in, no matter where that is.
I keep bouncing back and forth between what is a blog post, what is for a pedagogy piece and what is for my work.

It feels scary to say land based learning, like there is something in it.

Like I wouldn’t go camping or take a bunch of people out into the woods, if I didn’t know where I was going.

So I know that people worry about the dangers of doing things that you don’t know. But there are also dangers in failure to engage.

... high on Pilling's Road ...
In some ways it seems more important than ever to build relations with the world around us and part of this means being more attentive to our environment and attaching stories to those places.


Water

As an example of this, on our walk we spent a lot of time thinking about water. We stopped by a small bed of moss. We noticed a sparkle on the ground. There was a small patch of tiny flowers, each of which was holding a large drop of water. They seemed jewel-like.

 It was tricky to find a way to capture that in a photo. I stood in one direction and my body blocked the sun, casting a shadow across the flowers. From another direction the beads of water produced a glare on my screen. In my first photo the drops of water were too far away to be visible. Magnified close up, there was a loss of the sense of scale.

 And in any event, I am not a great photographer, so the photo was blurred.

... looking down at the railroad track ...
That was just all in the nature of trying to capture the photo in one degree. It made me think of how much time I spent standing at that spot, trying to capture that image, one that is burned more significantly into my memory than my camera shot. I certainly spent more time with the photo than anyone will spend in reading the blog. A mini-flash back to my most recent trip to London and my gallery walk in the National Gallery where the guide asked us to guess how much time the average visitor spends looking at an individual painting. He told us five and a half seconds, just long enough to cast their eyes across it, or just long enough to point their camera and take a photo look at later. He told us that he thinks it is just fine for people to take photos, though he reminded us that each photo in the National Gallery’s collection is posted on line in high definition and in good quality.

... looking up out of the dark forest to the sky ...
On that day we saw only five paintings.

One 1/3 hours, five paintings and we stayed 15 minutes with each painting.

His goal, he said, was to have us build reationships to those 5 paintings. I am smart enough now to bring one of those waling stools, so I don’t stand.

I punk myself down in front of the painting, so, standing or sitting we spent 15 minutes while he talked about the artist, the time period, the images, the economy, the dog in the painting, the clothing worn by the sitters.

And by the time we left each of those paintings, I felt as though I had a new friend.
I could have done this in a history of art class.

Indeed, that is how I have done most of my learning.

But there was something quite different about being up close to the painting itself. I could see the brush strokes, the hand of the author was visible in a way that it isn’t in the reproduction.

I can also bring to mind the voice of the gallery guide, where I was sitting in relation to other people in the room, which side of the room the painting was hung on, the room around the painting.

All of this, just a way of getting back to that bead of water nested in the petals of that plant.
I don’t know how long Betty or Alice’s attention would have been held before that plant was poked.

 I can imagine having ready to hand, a story about those beads of water because if you are watching the forest floor after the rain you will find one.
... only bent bark is left ...

 And probably in the back yard of some’s lawn as well. 

There was water in the moss.

Last summer, walking on the moss there was some crunch. On this walk the moss was a cushion, a sponge.

Not enough to get my shoe wet, but enough to feel when I pushed my hand into the moss and lichen on the trees. 

We climbed over a large old log that laid across the plant.

To get over it, you simply had to sit on the log and then swing your leg over the top.

... green and white on a bed of red ...
The log was covered with moss.

When I stood up, my jeans were full of water from that one.

The moss gave up its water.

There was a mushy area where someone had laid logs across the water to keep one’s feet from slipping into the mud. This is where the water was running through a cloud full of silt.

 Some of the water ran through culverts.

 We watched a beautiful waterfall above us.

... just a small rest on the upward climb ...
 I guess there was an occasion to think about water that runs, water that sits, water that is captured. There was no place to get a good drink from any of the clear streams. We couldn’t kneel by any of the streams. Too wet. But those little flowers had gathered water as a drinking bowl for someone.
Along the way it felts as though the birds were in conversation with us.

We also talked on the walk about stories that are laid on the land from our family. We walked down old Pilling’s Road knowing that in a month or two there will be wild strawberries there.

We looked for the tell tale leaves.

We saw the burdock which is a completely storied plant for me, walking along, picking the seeds and throwing them at others.

Burdock is part of the game. And as a child I knew this was part of the reproductive cycle. Was it waiting for young children to transport it from one spot to another.


... the Spring forest in its whites and greens ...
We had been talking about this because people talk about oral culture as though it is somehow inferior to written culture.

But when we look at the stories with the children, the stories come alive with the children, more than in the reading. And when stories are told orally in a context where there is something to look at, or something to attach the story to, it is all the more powerful.

It is easier to talk about burdock tea while holding a burdock ion your hand.

This does bring up the question of time.

A burdock when it is dried, a burdock when it is dried, a burdock when it is in blossom. Fireweed makes most sense in some stories when you can see the wisps of white seeds floating oni the wind. There are reasons for stories to take account of time
... a photo  never shows how steep
the trail really is ...
Part of what made the walk interesting was seeing how much water was coming down in the streams. So much water. Streams that I see as only trickles in the summer, now overflowing their banks. Good metaphors for time. The lake was frozen at one point. There the water becomes a surface. It looks like nothing is happening. And then there is a flood of action. You can turn anything into a lesson. Is the water water, or is it a metaphor? We were having all of these conversations about time to wait, and to acknowledge that a season has not quite arrived, or that the water level at one time won’t be the water level always. I can show kids where the strawberries will grow, but I can’t show them the strawberries if I take them on a walk right now. So this isn’t the moment for that story.

But it is also knowing that there are other things. There is what the land has available and then there is the need of the person interacting with it. You can draw many stories out of the land at different times. There is so much there. But it is helpful to know what the need is before drawing out the story.

... at the end of the walk the clouds are lifting ...
Something is almost always in season. A person doesn’t’ have to theorize that all culture is oral culture before theorizing what orality can provide.

Being able to access text and image is useful.

Helpful.

I can think about taking kids on walks.

Can I take kids on virtual walks and can it provide links for me to do something similar in my back yard. How do I get my children to have skills to attaching themselves to the world they are in? If I go on the walk and say here is a bird, or here is a budock, who cares. Give me a story with that thing.

To drop people off at the Sicamous Trail end
go down the Trans-Canada until the
road narrows to one line each way.
There is where the deer lay down for the night.

Here is where a moose peed in a stream.

Here is where the road got washed out. Here is where Cohl got strangled on a motorcycle. Which road does one take to get back to the cabins?

We tell those stories one way or another.

When we left, I thought we were just going to walk back and forth on Pilling’s road But no, Arta, just wanted to look first here and then there. The two pottern kiln’s Then the stream between Wyona’s and Moiya’s. Greg’s enthusiasm for clearing a path. One story lead to another, until when we got to the top of the path where the question was, should be walk all of the way to Sicamous?

I said no way.

But that is the story I always asked when I was young.

Can I walk to Sicamous? Can I run to Sicaomous? Can I skip to Sicamous? Can I paddle to Sicamous? Can I bike ride to Sicamous?

Rebecca

Webber's Second Musical

 Sara Krulwich/The NYTimes/Redux
Glen and Janet taped Jesus Christ, Superstar, the one that was released in April through PBS.

They invited us to come over and watch, so there we were tonight, watching Sara Bareilles, John Legend, Alice Cooper and  Brandon Victor Dixon (of Hamilton fame).

With music by Andrew Lloyd Webber and lyrics by Tim Rice, the 1970 rock opera is an interpretation of the Gospels' accounts of the last week of Jesus' life, with a larger emphasis on the conflict and struggles between Jesus and Judas Iscariot.

Janet, Glen and Rebecca know every song and the lyrics to every song.  Three out of four people in the room with that kind of interest in the show is pretty good.

The first musical that Webber wrote was Joseph and the Technicolour Coat.  Tonight's taping was pretty spectacular -- the costuming, the orchestra on-stage, the beautiful harmonies.  And good company.

Arta

Monday, April 16, 2018

Doral's Photos of the Johnson Cabin (formerly the Noisy Cabin)

... a view from the cabin from the point of view of the plume tree ...
... which has yet to bear fruit ...
People who have just bought a cabin must pick a week to start repairs.

Even before that, they have to pick which repair to start with. A roof that doesn’t leak seemed like the right place to begin.

Doral figured out the timing that would be good for him. Richard found out where to buy the product for the roof, and out it came in a trailer, pulled behind his father-in-law’s truck.

The weather report didn’t look that good when the week finally came, but both families drove out to the lake for the beginning of many working holidays out here. Doral decided that the next time he comes he will be taking 2 weeks. One day to work, one day to rest, one day to work, one day to rest …. Richard had imagined the he could do the whole job single handedly in five days. David Wood came over to help until he and Moiya drove off to Washington for a small holiday of their own. Greg delayed his trip back to Alberta to help for a week. Glen came over on Sunday, his day off. And readers will know that is the day he was wounded. His arm will bear the marks of the bruising for several months. All three men were so generous with their help.
... Chris and Joan's red truck ...
... Richard is on the road side of the roof ...

On a related topic, as Rebecca and I were out walking yesterday, we were in the forest, walking uphill and I was reaching out for cedar branches for my balance as my feet slipped unexpectedly in the mud. Rebecca told me that the one of the indigenous beliefs is that when people are generous in real life, that they turn into cedars upon their death so that they can keep giving – as the cedars were doing for me, helping me to maintain my balance.

If this is true, then Glen, David Wood and Greg are certainly among the Cedar People, at least in real life. I was not any help. I couldn’t pick up wood, nor nails, nor climb on the roof. I did take my tools over to trim the plum tree. First I looked at some u-tube videos and then went to my garage where I found the tools that are necessary. I must have been wanting to trim trees for a long time.

... two ladders and one work bench ...
I did take a course in tree pruning. I have probably taken at least a short course in just about everything in life. We had to bring a tree branch to class and then treat it as a tree and trim it. But Saturday was my first live experience, truly hands-on with a fruit tree.

The Johnson Cabin was built in 1963, the Moiya Wood Cabin in 1964.

I don’t know about the condition of Moiya’s cabin, but the Doral and Richard Johnson Cabin had some rot in some of the tongue and groove boards.

Richard wanted to just continue with the roof and hope everything would be OK.

Doral wanted to at least call the roofing people and ask what they would do.

“Absolutely cut it out and fix it,” they said. “It will just continue to rot other boards if it is left.”

... good-bye to the rotting porch ...
... taking the porch down was not in Doral's list of to do's ...
... but in the end?  looks good, doesn't it? ...
So that slowed the project down a bit. There was wood to buy, wood to cut out, and wood to insert that would become a necessary replacement.

The worst moment in the week may have been the realization that the men were short just a little bit of roofing material.

When that penny dropped, Richard jumped in his vehicle and drove to Calgary and back, the full 12 hour drive in one day.

Stopping just a little short of actually finishing just wasn’t in his agenda.

... Doral is looking for a good chimney insert ...
... anyone with suggestions ...
We read the weather forecast every morning. Fifty percent chance of rain in the morning, dropping to 20% in the afternoon? That sounded like good news to the roofers. The forecast is cloudy? Another good day.

And now the job is finished. A beautiful tin roof that they hope will last 15 years or so. 

And I heard Doral saying to Richard, “Our job on the cabin is 10 % done now. Ninety per cent to go.”

Arta

Sunday, April 15, 2018

Walking to the End of the Trail

Rebecca and I set out to take a few steps.

The first few steps lead around Richard and Doral's cabin.

The next few steps were checking out the stream that emerges half way down the hill between Moiya's and Wyona's.  There is a bench over the stream made from hefty round logs.

Then we checked the kiln at Glen and Janet's.  Doesn't this sound like what any self respecting potter would do to interrupt a walk?

We tried the path that Greg and Glen help maintain, the one that goes to Sicamous.  We walked over three streams which are not at their seasonal full yet, but which required Rebecca to give me her hand so I would maintain my balance.

Photo Credit: Rebecca Johnson
About 5,000 steps most of which were up hill into our journey we came to a stream I didn't think we could get over. 

Someone maintains it by keep a set of stones going across the stream, one on which there are a few dry rocks that can carry a person to safety.

That was a help.

We finally made it up to the highway where there is a sign that announces this is the end of the trail.  It is the end of the trail for those walking west from Sicamous, but for us it is the beginning of the trail that leads east to Sicamous. 

I could have only done the trail if there  had been someone to pick me up the end of the trail.  As it was, we walked back along the shoulder of the Trans-Canada Highway to Pilling's Road which is showing the wear and tear of the winter.  Five trees have fallen over the trail, big ones.

Just beautiful.

Arta